StorytellingThroughSound

Known as the Brazilian pioneer of game music, Antonio is an award-winning composer and sound designer with credits on more than 400 games, including Good Job!, Dolmen, Nailed It!, the Sonic 30th Anniversary Symphony, Marvel Future Revolution and The Sandbox. He arranged and orchestrated for Bruce Dickinson's More Balls to Picasso and scored National Geographic's Expedition Amazon.

Pianist, clarinetist, maestro, arranger and orchestrator with 40 years of music for film, TV and radio, including Globo's Meu Pedacinho de Chão, Velho Chico and Dois Irmãos. For 30 years he was maestro and arranger for Zizi Possi, including the Latin Grammy-nominated Puro Prazer.

Composer for games, film and visual media, blending orchestral writing with organic sound design and hybrid production. A Souza Lima and Berklee graduate, he spent two decades as a guitarist and sideman after studying with Kiko Loureiro and Edu Ardanuy. With us he orchestrated Angra's reunion classics and wrote additional music for Codenames.

Producer and guitarist with seven years co-producing Miura Jam (200k monthly Spotify listeners). He has written lyrics for indie games like Pocket Bravery, toured Europe, the UK, Brazil and Russia, and worked on localization for Dying Light, Surviving Mars and Dirt Rally at QLOC in Warsaw.

Sound designer and audio artist with a Master's in Music and Sound Creation from the Federal University of Paraná and a Sound Design for Visual Media degree from Vancouver Film School. He creates sound effects for linear and interactive media, records in the field and implements audio with Wwise and FMOD.

Fifteen years across games, film, animation and advertising, on titles like Transformers: Reactivate, Looney Tunes: World of Mayhem, Horizon Chase 1 & 2 and Wonderland for Apple Arcade. He specializes in implementation with Unreal Engine, Wwise and FMOD.